oratorio
Oratorio The World God Only Knows - God only knows (Full Version) w/ Lyrics
All lyrics finally up. If you don't see them, please turn annotations on. No download links, sorry. Yes, it feels cut off because it immediately transitions into the second track on the album, which is the insert song from... around chapter 22 in the manga, I think? I might upload that some other time.
Bach - Christmas Oratorio: Cantata #1 BWV248 - Mov. 1/9
JOHANN SEBASTIAN BACH (1685-1750) "Weihnachtsoratorium" Cantata No. 1 (Am ersten Weihanchtsfeiertage) BWV246 for choir, soloists, 2 trumpets, timpani, 2 transverse flutes, 2 oboes, 2 oboe d'amore, strings, and basso continuo No 1. Coro: "Jauchzet, frohlocket!" Performed by Concentus Musicus Wien & the Arnold Schoenberg Chor Featuring Christine Schafer, soprano Bernarda Fink, alto Werner Gura, tenor Gerald Finley, bass Christian Gerthaher, bass Directed by Nicholas Harnoncourt *Recorded in 2007 **The Christmas Oratorio (German: Weihnachtsoratorium) BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 incorporating music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a now lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of the parody technique. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).
JS Bach - Christmas Oratorio BWV 248 - Part I 'For the First Day of Christmas' - Mvt. I
Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists in a performance of Bach's Christmas Oratorio BWV 248 to begin their year long Cantata Pilgrimage. I. Coro 'Jauchzet, frohlocket'
Bach - Christmas Oratorio, BWV 248
The Christmas Oratorio (German: Weihnachtsoratorium) BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 incorporating music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a now lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written towards the end of Bach's career in 1734 and 1735 for major feasts, the others being the Ascension Oratorio (BWV 11) and the Easter Oratorio (BWV 249). All include a tenor Evangelist as narrator and parody earlier compositions, although the Christmas Oratorio is by far the longest and most complex work. The oratorio is in six parts, each part being intended for performance on one of the major feast days of the Christmas period. The piece is often presented as a whole or split into two equal parts. The total running time for the entire work is nearly three hours. The first part (for Christmas Day) describes the Birth of Jesus, the second (for December 26) the annunciation to the shepherds, the third (for December 27) the ...
Handel -〈Messiah〉oratorio, HWV 56 / "For unto us a Child is born" (Stephen Cleobury)
Georg Friedrich Händel (1685~1759) 《Messiah》oratorio, HWV 56 (1752 Version, only authentic conventional SATB version) Part 1 - chorus: "For unto us a Child is born" The Choir of King's College, Cambridge The Brandenburg Consort Stephen Cleobury (conductor)
John Debney The Passion Of the Christ Oratorio LIVE
Live footage from the world premiere of The Passion Oratorio Movement 7. Lisbeth Scott Soloist...The Santa Cecilia Symphony Orchestra and Choir....July 7th 2005 Rome Italy. This is Movement 7 entitled: "Jesus is Brought down and placed in the Tomb." Lyrics by Lisbeth Scott. Lyrics are in ancient Aramaic and start with: "My Child, Lord...My Child What have they done to you..."
Bear McCreary - Diaspora Oratorio
Words and Music by Bear McCreary. From the Episode Revelations BUY THE CD GUYS!!
ORATORIO 「Apocalypse 罪狩りの聖女」
Disclaimer: This song is copyrighted by Konami, therefore, I do not own this audio. The full version of Apocalypse ～dirge of swans～. ~~~ Song Name: Apocalypse 罪狩りの聖女Artist: Zektbach Genre: ORATORIO Game the Song Came From: ビートマニア ツーディーエックス 13 歪曲(Beatmania IIDX 13: DistorteD) Download Link: www.mediafire.com ~~~ Lyrics: Close your eyes,keep silent Think about the reason you are born Look inward to learn the truth You're born to develop your soul Starry sky healed their minds The blue sea wrapped them with a generous mind Yet they repeat the same mistake many times Losing their reasons,like a beast The truth is only one "As you sow,so shall you reap" Swans sing before they die Their songs resound throughout the sky And I drop a rose petal down the sea of blood and tears I keep praying Why do you feel nothing? Why do you injured one another? Why? Aggressive culture of despotism Why? You never win the cursed war Do not you hear god's voice? Without defiling my beautiful world I feel myself change into something very frightening Glory Decline Delusion Arrogance Silence Anger Silence Madness Gluttony Wrath Pride Sloth Corruption Envy Lust Greed Now the fire has burnt out And what is left is built of ice This sounds like heaven I vaguely hear a moan of pain It's a solemn note
Ferenz Liszt: Christus oratorio - "The Miracle"
Ferenz Liszt: Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part II, After Ephiphany, No. 9, "The Miracle" Performer: Henriette Bonde-Hansen, Iris Vermillion, Michael Schade, Andreas Schmidt Conductor: Helmuth Rilling Orchestra/Ensemble: Gächinger Kantorei Stuttgart, Stuttgart Radio Symphony Orchestra, Cracow Chamber Choir
Paul McCartney - LIVERPOOL ORATORIO
LIVERPOOL ORATORIO by Paul McCartney Royal Liverpool Philharmonic Orchestra -- orchestra Royal Liverpool Philharmonic Choir -- chorus Liverpool Cathedral Choiristers -- chorus Carl Davis -- conductor Kiri Te Kanawa -- soprano Jerry Hadley -- tenor Sally Burgess -- mezzo-soprano Willard White -- bass
Castlevania Part 3: Oratorio of Ovation
www.youtube.com Click here to watch All Your History: Castlevania (Konami) - Episode 2! All Your History: Castlevania (Konami) - Episode 3 (Game Development History) S02E43 Castlevania is one of the oldest franchises that is still active today, and one of the most influential as well. In this second episode of our retrospective, watch and see how Konami turned Castlevania from one of the biggest names on Nintendo, to one of the biggest names in gaming. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Follow Machinima on Twitter! Machinima twitter.com Inside Gaming twitter.com Machinima Respawn twitter.com Machinima Entertainment, Technology, Culture twitter.com FOR MORE MACHINIMA, GO TO: www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com TAGS: All Your History Are Belong To Us AYH Rob Talbert yt:quality=high Castlevania "Lords of Shadow MercurySteam Kojima Productions Konami Sony "Simon Belmont" series franchise reboot "PlayStation 3" PS3 Microsoft Xbox 360 X360 "video game" vampires werewolves trolls "giant spiders" "David Cox" Gabriel
1991 McCartney Liverpool Oratorio Part 1/13
Precious and impressive BBC documentary on (the making of) the 1991 Liverpool Oratorio, the collaboration between McCartney and Carl Davies. After the 'Yesterdays' and 'Eleanor Rigbies' of decades before, this is Macca's first full blown attempt at classical music. McCartney finds himself co-operating with choirs (both school boys and adults), the violinist and leading singers such as Sally Burgess, Kiri te Kanawa, Jerry Hadley and Willard Budd. He takes Davies on a Liverpool trip down memory lane The highlights are frequent but McCartney's instant composing ('Kept in confusion...') at the piano (part 4) and the motherly tears of wife Linda (part 12) when she hears Dame te Kanawa singing (the beautiful birth song) 'The world you're coming into', stand out! (McCartney's and George Harrison's) School motto: 'Not for ourselves but for the whole world were you born'
Bach - "Jauchzet, frohlocket" - Monteverdi Choir, Gardiner
John Eliot Gardiner leads the Monteverdi Choir and the English Baroque Soloists in "Jauchzet, frohlocket, auf, preiset die Tage," the opening chorus of the first cantata in Bach's Christmas Oratorio (BWV 248).
Liszt - Christus (S3) - I. Oratorio de Noël - 01. Introduction
Find the whole playlist here: www.youtube.com Christus, composed by Franz Liszt (1811-1886) between 1862 and 1866, published in 1872. This oratorio is Liszt's chef-d'œuvre, which he considered to be his best piece of music. Conductor: Antal Doráti (Recorded in 1985, Hungary)
Virtual On Oratorio Tangram - Temjin vs. Ajim
This is a training mode battle against the secret boss VR, Ajim. He's a very fast opponent, with very powerful weapons and sturdy armour. Basically, he's the trickiest AI opponent in the game. On top of that, I set the AI difficulty to maximum.
Resurrection and Ascension of Jesus--Beethoven Oratorio: Christ on the Mount of Olives--Hallelujah
Oratorio, "Christ on the Mount of Olives" Ludwig Van Beethoven (1770-1827) Beethoven wrote but one oratorio, "Christus am Oelberge" ("Christ on the Mount of Olives"). It was begun in 1800 and finished during the following year. The text is by Huber, and was written, with Beethoven's assistance, in fourteen days. The first performance of the work is entirely took place at Vienna, April 5, 1803, at the Theater an der Wien. The closing number, a chorus of angels ("Hallelujah, God's almighty Son"), is introduced with a short but massive symphony leading to a jubilant burst of "Hallelujah," which finally resolves itself into a glorious fugue. In all sacred music it is difficult to find a choral number which can surpass it in majesty or power. Lyrics for the Hallelujah Hallelujah unto God's Almighty Son Praise the Lord, ye bright angelic choirs In holy songs of Joy. Man, proclaim his grace and glory, Hallelujah unto God's Almighty Son Praise the Lord in holy songs of joy. FROM THE COUNCIL OF TRENT Resurrection By the word Resurrection, however, we are not merely to understand that Christ was raised from the dead, which happened to many others, but that He rose by His own power and virtue, a singular prerogative peculiar to Him alone. For it is incompatible with nature and was never given to man to raise himself by his own power, from death to life. This was reserved for the almighty power of God, as we learn from these words of the Apostle: Although he was crucified through ...
Mendelssohn - Oratorio Elias / Elijah - "Heilig ist Gott, der Herr" (Solo-Quartet & Chorus)
performed by Peter Lika (Bass, Elijah), Heidi Elisabeth Meier (Soprano), Jolantha Michalska-Taliaferro (Altus), Hans Peter Blochwitz (Tenor), Maulbronn Cantor Choir / Kantorei Maulbronn & Members of the SWR Symphony Orchestra. Conductor: Jürgen Budday. View, listen & purchase here: www.kuk-art.com A concert recording by Josef-Stefan Kindler & Andreas Otto Grimminger, K&K Verlagsanstalt, from the church of the German UNESCO World Heritage Site Maulbronn Monastery. Video & Art by Josef-Stefan Kindler.
The Nativity - Bach Sinfonia from Christmas Oratorio
Paintings of the Nativity from various artists accompanied by the Sinfonia which opens the second part of Bach's Christmas Oratorio. Academy of St Martin in the Fields Philip Ledger cond.
Saint-Saens Christmas Oratorio (Part 1 of 3)
The first of three segments of Saint-Saens' Christmas Oratorio (Oratorio de Noel) I. Prelude II. Recitation and Choir - Gloria III. Soprano Air - Expectans
Liszt-Oratorio 'Christus'-Shepherds' Song at the Manger
Orchestral movements from the Oratorio 'Christus'.
Handel -〈Messiah〉oratorio, HWV 56 / "Hallelujah" (Stephen Cleobury / The Brandenburg Consort)
Georg Friedrich Händel (1685~1759) 《Messiah》oratorio, HWV 56 (1752 Version, only authentic conventional SATB version) Part 2 - chorus: "Hallelujah" The Choir of King's College, Cambridge The Brandenburg Consort Stephen Cleobury (conductor)
Handel: An Occasional Oratorio HWV 62 (1746): I-VI
George Frideric Handel (1685-1759) I. Act 1 Overture Part 1: Grave (0:00) II. Act 1 Overture Part 2: Allegro (2:22) III. Act 1 Overture Part 3: Adagio (5:02) IV. Act 1 Overture Part 4: March (7:32) V. Act 1 No. 1. Arioso: Why Do the Gentiles Tumult? (Bass) (9:05) VI. Act 1 No. 2. Chorus: Let Us Break Off By Strength of Hand (11:27) The King's Consort - Robert King Choir of The King's Consort Choir of New College Oxford Susan Gritton (Soprano) Lisa Milne (Soprano) James Bowman (Countertenor) John Mark Ainsley (Tenor) Michael George (Bass) An Occasional Oratorio (HWV 62) is an oratorio by George Frideric Handel, based upon a libretto by Newburgh Hamilton after the poetry of John Milton and Edmund Spenser. Handel composed the Occasional Oratorio hastily in January and February of 1746 and premiered it immediately on 14 February 1746. It contains 44 movements split over three parts. The famous chorus "Prepare the Hymn" (a paraphrase of Psalm 81:1-2) is the 26th movement and appears in the second part. The second minuet from the Music for the Royal Fireworks was reused from this oratorio. Act 1 No. 1. Arioso: Why do the gentiles tumult, And the nations muse a vain thing, The kings of the earth upstand with pow'r, And princes in their congregations Lay deep their plots throughout each land Against the Lord and His Anointed? (Milton, Psalm ii) Act 1 No. 2. Chorus: Let us break off by strength of hand, And cast from us, no more to wear The twisted cord and iron band! Him or his ...
FJ Haydn - "The heavens are telling"〈The Creation〉Oratorio / Christopher Hogwood
Franz Joseph Haydn (1732~1809) 《The Creation》oratorio, Hob. XXI:2 (1798) - English version, Vienna 1800 - (Part 1, Scene 4 - The Fourth Day) 14. Chorus with Trio: "The heavens are telling the Glory of God" ("Die Himmel erzählen die Ehre Gottes") Emma Kirkby (soprano / Gabriel) Anthony Rolfe Johnson (tenor / Uriel) Michael George (bass / Raphael Choir of New College, Oxford The Chorus of Academy of Ancient Music The Academy of Ancient Music Christopher Hogwood (conductor)
Liszt-Oratorio 'Christus'-The Three Holy Kings-March
Orchestral movements from the Oratorio 'Christus'.
Oratorio The World God Only Knows - A Whole New World God Only Knows (Full Version) w/Lyrics
If you don't see the lyrics, please turn annotations on. Just (not!) in time for the ending of season 2! Here's wishes for a season 3... three million hours in Windows Movie Maker two million hours in YouTube Annotations Editor I tried for something more ambitious this time. I hope all my fellow Kaminomi fans enjoy this more than I did making it, haha. Timing the chorus was a nightmare with Lia and ELISA playing off each other. I ran out of cleverness with regards to the picture slideshow when the chorus came around the second time. ごめんなさいNo download links, sorry.
Haydn Oratorio The Seasons ''Spring'', H.21/3 Part.1
Franz Joseph Haydn (1732 † 1809) Libretto: Baron Gottfried van Swieten Work: Oratorio The Seasons No.3 ''Spring'', H.21/3 The premiere in Vienna on April 24, 1801 Part.1 01. Der Frühling: 1. Einleitung: Largo. Vivace & Rezitativ - "Seht, wie der strenge Winter flieht" 02. Chor: Allegretto - "Komm, holder Lenz" Performers: Simon: Christian Gerhaher, (Baritone) Lucas: Werner Güra, (Tenor) Hanne: Genia Kühmeier, (Soprano) Scored for 2 flutes (1st doubling on piccolo in one aria), 2 oboes, 2 clarinets, 2 bassoons and contrabassoon, 4 horns, 3 trumpets, 2 tenor trombones and bass trombone, timpani, percussion, and strings. Nikolaus Harnoncourt Arnold Schoenberg Choir Ensemble Vienna Concentus Musicus
VIRTUAL-ON ORATORIO TANGRAM: Fei-yen vs Battler 10
CyberTroopers Virtual-ON ORATORIO TANGRAM ver5.66 FEI-YEN kn VS APHARMD THE BATTLER Battle field; VERTEBRATE SHAFT The human fought with the others; number.10
JS Bach - Easter Oratorio, BWV 249
The Amsterdam Baroque Choir The Amsterdam Baroque Orchestra Ton Koopman
(IV) FJ Haydn -〈The Creation〉Oratorio / Die Schöpfung, Oratorium (Christopher Hogwood)
Franz Joseph Haydn (1732~1809) 《The Creation》oratorio, Hob. XXI:2 (1798) - English version, Vienna 1800 - (Part 1, Scene 3 / The Third Day) 10. Recitative - "And the heavenly host proclaimed the third day, praising God, and saying" 11. Chorus - "Awake the harp, the lyre awake!" (Part 1, Scene 4 / The Fourth Day) 12. Recitative - And God said: 'Let there be lights in the firmament of heaven" 13. Recitative - "In splendour bright is rising now the sun and darts his rays" 14. Chorus with Trio - "The heavens are telling the Glory of God" Emma Kirkby (soprano / Gabriel) Anthony Rolfe Johnson (tenor / Uriel) Michael George (bass / Raphael) Choir of New College, Oxford The Chorus of Academy of Ancient Music The Academy of Ancient Music Christopher Hogwood (conductor) The Creation (German: Die Schöpfung) is an oratorio written between 1796 and 1798 by Joseph Haydn (H. 21/2), and considered by many to be his masterpiece. The oratorio depicts and celebrates the creation of the world as described in the biblical Book of Genesis and in Paradise Lost. Haydn was inspired to write a large oratorio during his visits to England in 1791-1792 and 1794-1795, when he heard oratorios of Handel performed by large forces. Israel in Egypt is believed to have been one of these. It is likely that Haydn wanted to try to achieve results of comparable weight, using the musical language of the mature classical style. The work on the oratorio lasted from October 1796 to April 1798. It was also a ...
A Whole New World God Only Knows Oratorio The World God Only Knows
A Whole New World God Only Knows Oratorio The World God Only Knows
Marie-Nicole Lemieux & Karina Gauvin: Handel oratorios
Handel: "Streams of pleasure" Anthology of arias from Handel oratorios Karina Gauvin, soprano Marie-Nicole Lemieux, contralto Il Complesso Barocco, Alan Curtis - 1 CD naïve - September 2011 The aria that we can listen to in this video is "Streams of pleasure", from "Theodora.
Bach - Christmas Oratorio - Schlafe, mein Liebster
Bernarda Fink, alto John Eliot Gardiner leads the Monteverdi Choir and the English Baroque Soloists, with Bernarda Fink in "Schlafe, mein Liebster," from Bach's Christmas Oratorio (BWV 248). from Bach's Christmas Oratorio, part II Schlafe, mein Liebster, genieße der Ruh, Wache nach diesem vor aller Gedeihen! Labe die Brust, Empfinde die Lust, Wo wir unser Herz erfreuen! Sleep now, my dearest, enjoy now thy rest, Wake on the morrow to flourish in splendor! Lighten thy breast, With joy be thou blest, Where we hold our heart's great pleasure! From Wikipedia: Bernarda Fink (August 29, 1955 - ) is an Argentinian mezzo-soprano. Born in Buenos Aires to Slovenian parents, Bernarda Fink studied at the "Instituto Superior de Arte del Teatro Colón" in Buenos Aires. She won First Prize at the Nuevas Voces Líricas competition in 1985 and moved to Europe. She lives in the southern Austrian province of Carinthia and is married to the Austrian Ambassador to Slovenia, Valentin Inzko.
MUSIC FROM HEAVEN - Ruth Fazal's Oratorio Terezin
What does music from heaven sound like? Oratorio Terezin, by Canadian composer Ruth Fazal, may have the answer. Despite rising global anti-Semitism, this major orchestral piece has been building solidarity between Christian and Jewish communities in Canada, the US, Europe and Israel.
JS Bach - Christmas Oratorio BWV 248 - Part II 'For the Second Day of Christmas' - Mvt. I
Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists in a performance of Bach's Christmas Oratorio BWV 248 to begin their year long Cantata Pilgrimage.
JS Bach - Christmas Oratorio BWV 248 - Part I 'For the First Day of Christmas' - Mvts. II - IV
Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists in a performance of Bach's Christmas Oratorio BWV 248 to begin their year long Cantata Pilgrimage. II. Evangelista 'Es begab sich aber zu der Zeit' III. Recitativo 'Nun wird mein liebster Brautigam' IV. Aria 'Bereite dich, Zion'
(II) FJ Haydn -〈The Creation〉Oratorio / Die Schöpfung, Oratorium (Christopher Hogwood)
Franz Joseph Haydn (1732~1809) 《The Creation》oratorio, Hob. XXI:2 (1798) - English version, Vienna 1800 - (Part 1, Scene 1 / The First Day) 2a. Recitative - "In the beginning God" 2b. Chorus - "And the Spirit of God moved upon the face of the waters" 2c. Recitative - "And God saw the light, that it was good" 3a. Aria - "Now vanish before the holy beams" 3b. Chorus with Solo - "Despairing, cursing rage" (Part 1, Scene 2 / The Second Day) 4. Recitative - "And God made the firmament" 5. Solo with Chorus - "The marvellous work beholds amazed" Emma Kirkby (soprano / Gabriel) Anthony Rolfe Johnson (tenor / Uriel) Michael George (bass / Raphael) Choir of New College, Oxford The Chorus of Academy of Ancient Music The Academy of Ancient Music Christopher Hogwood (conductor) The Creation (German: Die Schöpfung) is an oratorio written between 1796 and 1798 by Joseph Haydn (H. 21/2), and considered by many to be his masterpiece. The oratorio depicts and celebrates the creation of the world as described in the biblical Book of Genesis and in Paradise Lost. Haydn was inspired to write a large oratorio during his visits to England in 1791-1792 and 1794-1795, when he heard oratorios of Handel performed by large forces. Israel in Egypt is believed to have been one of these. It is likely that Haydn wanted to try to achieve results of comparable weight, using the musical language of the mature classical style. The work on the oratorio lasted from October 1796 to April 1798. It was also a ...
JS Bach - Christmas Oratorio BWV 248 - Part III 'For the Third Day of Christmas' - Mvts. XI - XIII
Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists in a performance of Bach's Christmas Oratorio BWV 248 to begin their year long Cantata Pilgrimage. XI. Evangelista 'Und die Hirten kehrten wieder um' XII. Choral 'Seid froh dieweil' XIII. Coro da capo 'Herrscher des Himmels'
Domenico Cimarosa, Requiem, Part #1, Moscow Oratorio, conductor-Alexander Tsaliuk
Domenico Cimarosa, Requiem, Part #1, Moscow Oratorio, conductor-Alexander Tsaliuk,Musica Viva Chamber Symphony Orchestra, soloists: Yana Ivanilova, Irina Aganezova, Georgy Faradzhev, Vladimir Ognev, Live recording at the Gnessin Academy of Music, Moscow, 2005.
JS Bach - Christmas Oratorio BWV 248 - Part V 'For the First Sunday in the New Year' - Mvt. I
Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists in a performance of Bach's Christmas Oratorio BWV 248 to begin their year long Cantata Pilgrimage. I. Coro 'Ehre sel dir, Gott, gesungen'
ORATORIO 「Apocalypse ~memento mori~」
Disclaimer: This song is copyrighted by Konami, therefore, I do not own this audio. ~~~ Song Name: Apocalypse ~memento mori~ Artist: Zektbach Genre: ORATORIO Game the Song Came From: ポップンミュージック 15 冒険 (Pop'n Music 15 ADVENTURE) Download Link: www.mediafire.com
Handel: 'Hallelujah' [Chorus From Oratorio 'Messiah']
Performed on November 20th, 2005 by Saint Severin Choir at Church Saint Jean-Baptiste de Grenelle (Paris). Directed by Joël Sibille. psg.com Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! For the Lord God omnipotent reigneth. [Hallelujah! Hallelujah! Hallelujah! Hallelujah!] For the Lord God omnipotent reigneth. [Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah!] The kingdom of this world Is become the kingdom of our Lord, And of His Christ, and of His Christ; And He shall reign for ever and ever, For ever and ever, forever and ever, King of kings, and Lord of lords, [King of kings, and Lord of lords,] And Lord of lords, And He shall reign, And He shall reign forever and ever, King of kings, forever and ever, And Lord of lords, Hallelujah! Hallelujah! And He shall reign forever and ever, [King of kings! and Lord of lords!] And He shall reign forever and ever, King of kings! and Lord of lords! Hallelujah! Hallelujah! Hallelujah! Hallelujah! Hallelujah! "La dernière répétition avait été fixée au 7 avril 1741. Seuls quelques parents des choristes des deux cathédrales avaient été admis à y assister et par mesure d'économie on n'avait que faiblement éclairé la salle. Les auditeurs étaient épars çà et là par petits groupes sur les banquettes à demi vides. Une brume glaciale obscurcissait l'immense hall. Mais à peine le bourdon des chœurs, pareil à une cataracte sonore, eut-il commencé à se faire entendre, qu'une chose merveilleuse ...
GFHändel - Glory to God (from the Oratorio Joshua)
Air and "Thunderchoir" from the Oratorio Joshua, performed by Mark LeBrocq and the Hanoverian Court Orchestra. Conductor Jürgen Budday. From the CD "The Power of Händel" - Live recordings of historical informed performances at the UNESCO World Heritage Site Maulbronn Monastery. View at: www.kuk-art.com
Thomanerchor: "Jauchzet frohlocket" by Johann Sebastian Bach
Christmas Oratorio, BWV 248; No. 1: Part I, Chorus: Jauchzet, frohlocket, auf preiset die
ORATORIO The World God only Knows [with lyrics]
OST from the anime The World God only Knows performed by ELISA ****And sorry, in the minute 5:02 I misspelled the first word I wrote Saling instead of Sailing, Im really sorry!***
JS Bach - Christmas Oratorio BWV 248 - Part II 'For the Second Day of Christmas' - Mvts. IX - X
Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists in a performance of Bach's Christmas Oratorio BWV 248 to begin their year long Cantata Pilgrimage. IX. Recitativo 'So geht denn hin' X. Aria 'Schlafe, mein Liebster'
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